One day after the conclusion of their support of Two Door Cinema Club, Sundara Karma comfortably shake off the Best Supporting Cast shackles, proving to be more than capable of a rapturous headline show.
The band emerged on the O2 Institute stage to Gwen Stefani’s Hollaback Girl; presumably the foursome had forgotten their entrance music and the only CD at their disposal was NOW 62*. Diving straight in with album opener A Young Understanding, the band certainly showed they had this as the youthful crowd swayed, crushed, moshed and bounced energetically over the next seventy minutes.
*(check it, it’s right)
On their first major headline tour, the glamorous Reading outfit hoped to make this first night a spectacle, dressed to impress, as though they had walked through a Salvation Army shop covered in Velcro; flares, blouses and long hair to boot. Admittedly they scored an own-goal by deciding to deploy large multi-coloured balloons, bought for a giants’ birthday party. They not only disrupted the bands’ concentration (knocking over mic stands, bumping pedals) but scared this reviewer sh*tless, as spontaneous balloon pops were less than complimentary additions to the set.
That complaint out of the way, the exciting opening was followed by latest single, the anthemic Flame. It perfectly demonstrated why they had to upgrade venues from The Rainbow to Birmingham’s O2 Institute, such was the demand for the show. Mark my words they have a sound fit for stadiums, so don’t expect to see them in 2,000 capacity venues for too much longer.
Sundara Karma fully showcased their debut album, the cynically named Youth is Only Ever Fun in Retrospect. This cynic was very impressed by this strong first effort, one of the best albums of 2017 so far (admittedly we are one month and 14 days into 2017 at the time of writing). However one song I find less impressive is She Said, a blatant Circa Waves rip-off. One Circa Waves is more than enough, fellas.
Ally Baty on lead guitar, Haydn Evans on drums and Dom Cordell on bass all contribute towards Sundara Karma’s tight indie-pop sound, but it is frontman Oscar Pollock providing the star quality. He proved this on Vivienne, losing his guitar before losing himself amongst the crowd during this epic love number. A crowd-surf-gone-wrong turned into Pollock navigating his way around a packed dancefloor back to the stage as though he were a religious icon being mobbed by adoring followers. All the while effortlessly maintaining his grace and poise.
The band closed the main set with their ‘Wonderwall’, Happy Family. A hymn-like harmony over a cheery guitar string plucking intro descends into Pollock desperately proclaiming anything but a happy family.
Swiftly re-emerging for an encore, Sundara Karma unleashed a Luther Vandross-shaped surprise with a cover of his disco classic, Never Too Much. Closing the set in fine fashion (unlike the garments on show), was Loveblood, one of the biggest indie singles of 2016. It’s a song that received much Radio 1 airplay and propelled the band through a stratospheric rise in recent months. Always a strong live act, now with an album under their belt, Sundara Karma prove why they are currently the hottest property on the up-and-coming British indie-rock scene.