Kasabian at the O2 Academy Birmingham – 13.04.2017

Welcome return for Comeback Kids Kasabian

Mixing a portion of indie, a pinch of electronica and a spoonful of football hooliganism, Kasabian have cemented their place as one of Britain’s most riotous live acts. As such, tickets for such an exclusive (by their standards) event were as hard to come by as an Arsene Wenger loyalist.

You’re In Love With A Psycho opened proceedings and initiated the party. The first of three new songs played on the night, while it perhaps didn’t suit its set opening slot, it will undoubtedly be a staple of Kasabian sets for years to come.

Bumblebee followed. Carnage ensued.

But for frontman Tom Meighan blowing kisses to the crowd there was no tenderness amongst the gig-goers as Underdog continued the chaos in the audience. Often favouring recognizable transitions between songs (see Black Skinhead and Praise You) the lads from Leicester chose Daft Punk’s Around The World to exquisitely segue out of Shoot the Runner and into Eez-Eh.

With Kasabian’s upcoming, sixth effort, For Crying Out Loud, imminent (May 5th), Serge, Tom and co. would be forgiven for showcasing the album in its entirety. However, we were treated to just three new tracks, as Comeback Kid and Bless This Acid House made up the Holy Trinity of pre-release offerings. Devoid of the 48:13 narcissism, fans will be pleased to hear that the new album still has the sort of ridiculous lyricism that made 48:13 so… fun(?).
– ‘Sasquatch in a bin bag, Sasquatch in a bin bag’ (Comeback Kid, Verse 2, Lines 1 & 2)
– ‘I’m like the taste of macaroni on a seafood stick, And you got me switched on, baby, like electric eel’ (You’re in Love with a Psycho, Verse 1, Lines 4 & 5).
I could go on.

2014’s groovy electronic treat, Treat, proved the most danceable number of the evening. The instrumental section saw guitarist Sergio Pizzorno scale the venue, eyes ablaze, channeling his inner Ibiza DJ, dictating festivities from the balcony. With chants of ‘Sergio, Sergio’ greeting Serge’s return to the stage you can understand why he would later declare this to be one of Kasabian’s ‘best ever gigs’.

Never room for a timid audience member at a Kasabian gig, throughout, Meighan led the way, showcasing the work of his trips to the Mick Jagger School of Questionable Dancing. A notable highlight being his unprecedented ‘air violining’ during Stevie, that would not look out of place at a London Philharmonic Orchestra Christmas party.

Indeed, playing such an intimate tour does come with snags. The usually colossal Club Foot and Vlad The Impaler sounding somewhat off, with the production struggling to contain the band’s stadium-sized sound. Like having a Big Mac but minus the gherkins, something small was missing. However, no such problems followed with LSF, as the crowd’s chorus echoes begged the band back on stage for an encore.

A conclusion of Fire saw the group finish in a blaze of glory. It didn’t take much of the 90-minute set to realise it, but Kasabian are stalwarts of the largest of stages, witnessing them in such a small venue was truly a privilege. Wishing the crowd a ‘Happy f*cking Easter’ on their way off stage, Tom, Serge and the Kasabian posse ensured the best possible start to the Easter weekend for 3,000 fans.

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 Bear’s Den at the Hammersmith Apollo – 05.04.2017

On home turf, Bear’s Den showcase their folk-rooted sounds at a sold out Hammersmith Apollo.

Brief and honourable mention to enigmatic support act Seramic. With his abundance of soul and questionable dance moves, he and his eclectic band put on an almost show-stealing funk-filled display. If Jack Garratt and D’Angelo somehow had a lovechild that lovechild would be Seramic. Or if Chet Faker was a Russian doll, Seramic would be one of the pieces inside.

However, the night belonged to Bear’s Den. Recently reduced to two hairy mammals, Andrew Davie and Kevin Jones, but surrounded by four talented multi-instrumentalists, they utilized atmospheric 2016 album, Red Earth & Pouring Rain as the gigs’ centre-piece. With its brooding electric feel filling the vast venue, the title track was an apt opener, and songs like Emeralds and Auld Wives entrancingly emanated throughout the Eventim Apollo.

The band aired December’s stand-alone single, Berlin, and Bear’s Den loyalists will welcome the return to the sound of superb debut, Islands, as a banjo-orientated number. Largely neglected on Red Earth & Pouring Rain, dropped completely by folk titans Mumford & Sons for their most recent effort, the pleasurable plucking on Berlin, Isaac and New Jerusalem prove it’s an instrument not limited to buck-toothed, tobacco-chewing, dungaree-sporting hillbillies utilizing their extra fingers to best effect.

Frontman, Davie’s lyrics and honest vocals give the impression that he’s both a hopeless romantic and that he’s had his heart ripped out of his chest, put through a shredder and then fed to ravenous dogs, such are the tragic words that are even more heartbreaking when heard in person. This allows emotionally-charged sing-a-longs to Above the Clouds of Pompeii and Stubborn Beast, and builds to a riotous set-stealing When You Break. While we are treated to a fair share of the new album, it’s this material from Islands that is best received by the London crowd.

Davie was visibly overwhelmed by the deafening ovation that welcomed the band back onto the stage for their encore. Lost for words, a stripped-back rendition of Bad Blood minus microphones completely reduced the 5,000 strong crowd to silence. A rousing finale of very first single, the now-anthemic Agape, concluded a triumphant evening before the Bear’s retreated into hibernation, ending their biggest British tour to date.

I spoke to Bear’s Den back in November, you can hear that interview and see that awful photo here: